And these, we usually find, are lacking in symbolic resonance.
The image of the raven is the most striking aspect of the poem and will be analyzed in more details. The delineation of space occurs as a process, conveyed for instance through the first-person narrator; indeed, in the tales of terror it is constituted first of all as mood-invested space 14which is experienced through the mutual relationship of space and observer, a space with the atmospheric qualities of the unexpected, the inexplicable, the uncanny.
The same is true of the concretely visible atmosphere, which as symbol of the unity of action of man and space also acquires something like a dramatizing function in the final scene.
It can allow the reader to make a connection with the feelings of the author. One of my personal favorites was called The Raven. This shows clearly the dominion of the raven over the narrator and the situation itself.
Some symbols are more well-known and better understood than others. The discovery of aesthetic space as narrative component with variable atmospheric values, such as the uncanny or the idyllic, and with this discovery the clear delineation of such space in a work of art, were first achieved by the English Gothic novel.